The Worker: Dominion and Form
by Jünger, Ernst (2017)
Abstract
Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Jünger’s The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy. Martin Heidegger considered Jünger “the only genuine follower of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature. This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.
Key Passage
We must appreciate that we are born into a landscape of ice and fire. That which has passed is so shaped, that we cannot adhere to it, and that which has not yet come to pass is such that we cannot accommodate ourselves to it. This landscape requires a stance of warrior-like scepticism in the highest degree. (p.62)
Keywords
Ernst Jünger, Der Arbeiter, Weimar Republic, Bourgeois Liberalism, Marx, Heidegger, Nietzsche, Technology, Politics, Political Theory, Political Economy, Twentieth Century, German, Social ContractThemes
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